On the day when M. Mabeuf said to Marius: “Certainly I approve of political opinions,” he expressed the real state of his mind. All political opinions were matters of indifference to him, and he approved them all, without distinction, provided they left him in peace, as the Greeks called the Furies “the beautiful, the good, the charming,” the Eumenides. M. Mabeuf’s political opinion consisted in a passionate love for plants, and, above all, for books. Like all the rest of the world, he possessed the termination in ist, without which no one could exist at that time, but he was neither a Royalist, a Bonapartist, a Chartist, an Orleanist, nor an Anarchist; he was a bouquinist, a collector of old books. He did not understand how men could busy themselves with hating each other because of silly stuff like the charter, democracy, legitimacy, monarchy, the republic, etc., when there were in the world all sorts of mosses, grasses, and shrubs which they might be looking at, and heaps of folios, and even of 32mos, which they might turn over. He took good care not to become useless; having books did not prevent his reading, being a botanist did not prevent his being a gardener. When he made Pontmercy’s acquaintance, this sympathy had existed between the colonel and himself—that what the colonel did for flowers, he did for fruits. M. Mabeuf had succeeded in producing seedling pears as savory as the pears of St. Germain; it is from one of his combinations, apparently, that the October Mirabelle, now celebrated and no less perfumed than the summer Mirabelle, owes its origin. He went to mass rather from gentleness than from piety, and because, as he loved the faces of men, but hated their noise, he found them assembled and silent only in church. Feeling that he must be something in the State, he had chosen the career of warden. However, he had never succeeded in loving any woman as much as a tulip bulb, nor any man as much as an Elzevir. He had long passed sixty, when, one day, some one asked him: “Have you never been married?” “I have forgotten,” said he. When it sometimes happened to him—and to whom does it not happen?—to say: “Oh! if I were only rich!” it was not when ogling a pretty girl, as was the case with Father Gillenormand, but when contemplating an old book. He lived alone with an old housekeeper. He was somewhat gouty, and when he was asleep, his aged fingers, stiffened with rheumatism, lay crooked up in the folds of his sheets. He had composed and published a Flora of the Environs of Cauteretz, with colored plates, a work which enjoyed a tolerable measure of esteem and which sold well. People rang his bell, in the Rue Mésières, two or three times a day, to ask for it. He drew as much as two thousand francs a year from it; this constituted nearly the whole of his fortune. Although poor, he had had the talent to form for himself, by dint of patience, privations, and time, a precious collection of rare copies of every sort. He never went out without a book under his arm, and he often returned with two. The sole decoration of the four rooms on the ground floor, which composed his lodgings, consisted of framed herbariums, and engravings of the old masters. The sight of a sword or a gun chilled his blood. He had never approached a cannon in his life, even at the Invalides. He had a passable stomach, a brother who was a curé, perfectly white hair, no teeth, either in his mouth or his mind, a trembling in every limb, a Picard accent, an infantile laugh, the air of an old sheep, and he was easily frightened. Add to this, that he had no other friendship, no other acquaintance among the living, than an old bookseller of the Porte-Saint-Jacques, named Royal. His dream was to naturalize indigo in France.
His servant was also a sort of innocent. The poor good old woman was a spinster. Sultan, her cat, which might have mewed Allegri’s miserere in the Sixtine Chapel, had filled her heart and sufficed for the quantity of passion which existed in her. None of her dreams had ever proceeded as far as man. She had never been able to get further than her cat. Like him, she had a moustache. Her glory consisted in her caps, which were always white. She passed her time, on Sundays, after mass, in counting over the linen in her chest, and in spreading out on her bed the dresses in the piece which she bought and never had made up. She knew how to read. M. Mabeuf had nicknamed her Mother Plutarque.
M. Mabeuf had taken a fancy to Marius, because Marius, being young and gentle, warmed his age without startling his timidity. Youth combined with gentleness produces on old people the effect of the sun without wind. When Marius was saturated with military glory, with gunpowder, with marches and countermarches, and with all those prodigious battles in which his father had given and received such tremendous blows of the sword, he went to see M. Mabeuf, and M. Mabeuf talked to him of his hero from the point of view of flowers.
His brother the curé died about 1830, and almost immediately, as when the night is drawing on, the whole horizon grew dark for M. Mabeuf. A notary’s failure deprived him of the sum of ten thousand francs, which was all that he possessed in his brother’s right and his own. The Revolution of July brought a crisis to publishing. In a period of embarrassment, the first thing which does not sell is a Flora. The Flora of the Environs of Cauteretz stopped short. Weeks passed by without a single purchaser. Sometimes M. Mabeuf started at the sound of the bell. “Monsieur,” said Mother Plutarque sadly, “it is the water-carrier.” In short, one day, M. Mabeuf quitted the Rue Mésières, abdicated the functions of warden, gave up Saint-Sulpice, sold not a part of his books, but of his prints,—that to which he was the least attached,—and installed himself in a little house on the Rue Montparnasse, where, however, he remained but one quarter for two reasons: in the first place, the ground floor and the garden cost three hundred francs, and he dared not spend more than two hundred francs on his rent; in the second, being near Faton’s shooting-gallery, he could hear the pistol-shots; which was intolerable to him.
He carried off his Flora, his copper-plates, his herbariums, his portfolios, and his books, and established himself near the Salpêtrière, in a sort of thatched cottage of the village of Austerlitz, where, for fifty crowns a year, he got three rooms and a garden enclosed by a hedge, and containing a well. He took advantage of this removal to sell off nearly all his furniture. On the day of his entrance into his new quarters, he was very gay, and drove the nails on which his engravings and herbariums were to hang, with his own hands, dug in his garden the rest of the day, and at night, perceiving that Mother Plutarque had a melancholy air, and was very thoughtful, he tapped her on the shoulder and said to her with a smile: “We have the indigo!”
Only two visitors, the bookseller of the Porte-Saint-Jacques and Marius, were admitted to view the thatched cottage at Austerlitz, a brawling name which was, to tell the truth, extremely disagreeable to him.
However, as we have just pointed out, brains which are absorbed in some bit of wisdom, or folly, or, as it often happens, in both at once, are but slowly accessible to the things of actual life. Their own destiny is a far-off thing to them. There results from such concentration a passivity, which, if it were the outcome of reasoning, would resemble philosophy. One declines, descends, trickles away, even crumbles away, and yet is hardly conscious of it one’s self. It always ends, it is true, in an awakening, but the awakening is tardy. In the meantime, it seems as though we held ourselves neutral in the game which is going on between our happiness and our unhappiness. We are the stake, and we look on at the game with indifference.
It is thus that, athwart the cloud which formed about him, when all his hopes were extinguished one after the other, M. Mabeuf remained rather puerilely, but profoundly serene. His habits of mind had the regular swing of a pendulum. Once mounted on an illusion, he went for a very long time, even after the illusion had disappeared. A clock does not stop short at the precise moment when the key is lost.
M. Mabeuf had his innocent pleasures. These pleasures were inexpensive and unexpected; the merest chance furnished them. One day, Mother Plutarque was reading a romance in one corner of the room. She was reading aloud, finding that she understood better thus. To read aloud is to assure one’s self of what one is reading. There are people who read very loud, and who have the appearance of giving themselves their word of honor as to what they are perusing.
It was with this sort of energy that Mother Plutarque was reading the romance which she had in hand. M. Mabeuf heard her without listening to her.
In the course of her reading, Mother Plutarque came to this phrase. It was a question of an officer of dragoons and a beauty:—
“—The beauty pouted, and the dragoon—”
Here she interrupted herself to wipe her glasses.
“Bouddha and the Dragon,” struck in M. Mabeuf in a low voice. “Yes, it is true that there was a dragon, which, from the depths of its cave, spouted flame through his maw and set the heavens on fire. Many stars had already been consumed by this monster, which, besides, had the claws of a tiger. Bouddha went into its den and succeeded in converting the dragon. That is a good book that you are reading, Mother Plutarque. There is no more beautiful legend in existence.”
And M. Mabeuf fell into a delicious reverie.
CHAPTER V—POVERTY A GOOD NEIGHBOR FOR MISERY
Marius liked this candid old man who saw himself gradually falling into the clutches of indigence, and who came to feel astonishment, little by little, without, however, being made melancholy by it. Marius met Courfeyrac and sought out M. Mabeuf. Very rarely, however; twice a month at most.
Marius’ pleasure consisted in taking long walks alone on the outer boulevards, or in the Champs-de-Mars, or in the least frequented alleys of the Luxembourg. He often spent half a day in gazing at a market garden, the beds of lettuce, the chickens on the dung-heap, the horse turning the water-wheel. The passers-by stared at him in surprise, and some of them thought his attire suspicious and his mien sinister. He was only a poor young man dreaming in an objectless way.
It was during one of his strolls that he had hit upon the Gorbeau house, and, tempted by its isolation and its cheapness, had taken up his abode there. He was known there only under the name of M. Marius.
Some of his father’s old generals or old comrades had invited him to go and see them, when they learned about him. Marius had not refused their invitations. They afforded opportunities of talking about his father. Thus he went from time to time, to Comte Pajol, to General Bellavesne, to General Fririon, to the Invalides. There was music and dancing there. On such evenings, Marius put on his new coat. But he never went to these evening parties or balls except on days when it was freezing cold, because he could not afford a carriage, and he did not wish to arrive with boots otherwise than like mirrors.
He said sometimes, but without bitterness: “Men are so made that in a drawing-room you may be soiled everywhere except on your shoes. In order to insure a good reception there, only one irreproachable thing is asked of you; your conscience? No, your boots.”
All passions except those of the heart are dissipated by reverie. Marius’ political fevers vanished thus. The Revolution of 1830 assisted in the process, by satisfying and calming him. He remained the same, setting aside his fits of wrath. He still held the same opinions. Only, they had been tempered. To speak accurately, he had no longer any opinions, he had sympathies. To what party did he belong? To the party of humanity. Out of humanity he chose France; out of the Nation he chose the people; out of the people he chose the woman. It was to that point above all, that his pity was directed. Now he preferred an idea to a deed, a poet to a hero, and he admired a book like Job more than an event like Marengo. And then, when, after a day spent in meditation, he returned in the evening through the boulevards, and caught a glimpse through the branches of the trees of the fathomless space beyond, the nameless gleams, the abyss, the shadow, the mystery, all that which is only human seemed very pretty indeed to him.
He thought that he had, and he really had, in fact, arrived at the truth of life and of human philosophy, and he had ended by gazing at nothing but heaven, the only thing which Truth can perceive from the bottom of her well.
This did not prevent him from multiplying his plans, his combinations, his scaffoldings, his projects for the future. In this state of reverie, an eye which could have cast a glance into Marius’ interior would have been dazzled with the purity of that soul. In fact, had it been given to our eyes of the flesh to gaze into the consciences of others, we should be able to judge a man much more surely according to what he dreams, than according to what he thinks. There is will in thought, there is none in dreams. Reverie, which is utterly spontaneous, takes and keeps, even in the gigantic and the ideal, the form of our spirit. Nothing proceeds more directly and more sincerely from the very depth of our soul, than our unpremeditated and boundless aspirations towards the splendors of destiny. In these aspirations, much more than in deliberate, rational co-ordinated ideas, is the real character of a man to be found. Our chimæras are the things which the most resemble us. Each one of us dreams of the unknown and the impossible in accordance with his nature.
Towards the middle of this year 1831, the old woman who waited on Marius told him that his neighbors, the wretched Jondrette family, had been turned out of doors. Marius, who passed nearly the whole of his days out of the house, hardly knew that he had any neighbors.
“Why are they turned out?” he asked.
“Because they do not pay their rent; they owe for two quarters.”
“How much is it?”
“Twenty francs,” said the old woman.
Marius had thirty francs saved up in a drawer.
“Here,” he said to the old woman, “take these twenty-five francs. Pay for the poor people and give them five francs, and do not tell them that it was I.”
CHAPTER VI—THE SUBSTITUTE
It chanced that the regiment to which Lieutenant Théodule belonged came to perform garrison duty in Paris. This inspired Aunt Gillenormand with a second idea. She had, on the first occasion, hit upon the plan of having Marius spied upon by Théodule; now she plotted to have Théodule take Marius’ place.
At all events and in case the grandfather should feel the vague need of a young face in the house,—these rays of dawn are sometimes sweet to ruin,—it was expedient to find another Marius. “Take it as a simple erratum,” she thought, “such as one sees in books. For Marius, read Théodule.”
A grandnephew is almost the same as a grandson; in default of a lawyer one takes a lancer.
One morning, when M. Gillenormand was about to read something in the Quotidienne, his daughter entered and said to him in her sweetest voice; for the question concerned her favorite:—
“Father, Théodule is coming to present his respects to you this morning.”
“Who’s Théodule?”
“Your grandnephew.”
“Ah!” said the grandfather.
Then he went back to his reading, thought no more of his grandnephew, who was merely some Théodule or other, and soon flew into a rage, which almost always happened when he read. The “sheet” which he held, although Royalist, of course, announced for the following day, without any softening phrases, one of these little events which were of daily occurrence at that date in Paris: “That the students of the schools of law and medicine were to assemble on the Place du Panthéon, at midday,—to deliberate.” The discussion concerned one of the questions of the moment, the artillery of the National Guard, and a conflict between the Minister of War and “the citizen’s militia,” on the subject of the cannon parked in the courtyard of the Louvre. The students were to “deliberate” over this. It did not take much more than this to swell M. Gillenormand’s rage.
He thought of Marius, who was a student, and who would probably go with the rest, to “deliberate, at midday, on the Place du Panthéon.”
As he was indulging in this painful dream, Lieutenant Théodule entered clad in plain clothes as a bourgeois, which was clever of him, and was discreetly introduced by Mademoiselle Gillenormand. The lancer had reasoned as follows: “The old druid has not sunk all his money in a life pension. It is well to disguise one’s self as a civilian from time to time.”
Mademoiselle Gillenormand said aloud to her father:—
“Théodule, your grandnephew.”
And in a low voice to the lieutenant:—
“Approve of everything.”
And she withdrew.
The lieutenant, who was but little accustomed to such venerable encounters, stammered with some timidity: “Good day, uncle,”—and made a salute composed of the involuntary and mechanical outline of the military salute finished off as a bourgeois salute.
“Ah! so it’s you; that is well, sit down,” said the old gentleman.
That said, he totally forgot the lancer.
Théodule seated himself, and M. Gillenormand rose.
M. Gillenormand began to pace back and forth, his hands in his pockets, talking aloud, and twitching, with his irritated old fingers, at the two watches which he wore in his two fobs.
“That pack of brats! they convene on the Place du Panthéon! by my life! urchins who were with their nurses but yesterday! If one were to squeeze their noses, milk would burst out. And they deliberate to-morrow, at midday. What are we coming to? What are we coming to? It is clear that we are making for the abyss. That is what the descamisados have brought us to! To deliberate on the citizen artillery! To go and jabber in the open air over the jibes of the National Guard! And with whom are they to meet there? Just see whither Jacobinism leads. I will bet anything you like, a million against a counter, that there will be no one there but returned convicts and released galley-slaves. The Republicans and the galley-slaves,—they form but one nose and one handkerchief. Carnot used to say: ‘Where would you have me go, traitor?’ Fouché replied: ‘Wherever you please, imbecile!’ That’s what the Republicans are like.”
“That is true,” said Théodule.
M. Gillenormand half turned his head, saw Théodule, and went on:—
“When one reflects that that scoundrel was so vile as to turn carbonaro! Why did you leave my house? To go and become a Republican! Pssst! In the first place, the people want none of your republic, they have common sense, they know well that there always have been kings, and that there always will be; they know well that the people are only the people, after all, they make sport of it, of your republic—do you understand, idiot? Is it not a horrible caprice? To fall in love with Père Duchesne, to make sheep’s-eyes at the guillotine, to sing romances, and play on the guitar under the balcony of ’93—it’s enough to make one spit on all these young fellows, such fools are they! They are all alike. Not one escapes. It suffices for them to breathe the air which blows through the street to lose their senses. The nineteenth century is poison. The first scamp that happens along lets his beard grow like a goat’s, thinks himself a real scoundrel, and abandons his old relatives. He’s a Republican, he’s a romantic. What does that mean, romantic? Do me the favor to tell me what it is. All possible follies. A year ago, they ran to Hernani. Now, I just ask you, Hernani! antitheses! abominations which are not even written in French! And then, they have cannons in the courtyard of the Louvre. Such are the rascalities of this age!”
“You are right, uncle,” said Théodule.
M. Gillenormand resumed:—
“Cannons in the courtyard of the Museum! For what purpose? Do you want to fire grape-shot at the Apollo Belvedere? What have those cartridges to do with the Venus de Medici? Oh! the young men of the present day are all blackguards! What a pretty creature is their Benjamin Constant! And those who are not rascals are simpletons! They do all they can to make themselves ugly, they are badly dressed, they are afraid of women, in the presence of petticoats they have a mendicant air which sets the girls into fits of laughter; on my word of honor, one would say the poor creatures were ashamed of love. They are deformed, and they complete themselves by being stupid; they repeat the puns of Tiercelin and Potier, they have sack coats, stablemen’s waistcoats, shirts of coarse linen, trousers of coarse cloth, boots of coarse leather, and their rigmarole resembles their plumage. One might make use of their jargon to put new soles on their old shoes. And all this awkward batch of brats has political opinions, if you please. Political opinions should be strictly forbidden. They fabricate systems, they recast society, they demolish the monarchy, they fling all laws to the earth, they put the attic in the cellar’s place and my porter in the place of the King, they turn Europe topsy-turvy, they reconstruct the world, and all their love affairs consist in staring slily at the ankles of the laundresses as these women climb into their carts. Ah! Marius! Ah! you blackguard! to go and vociferate on the public place! to discuss, to debate, to take measures! They call that measures, just God! Disorder humbles itself and becomes silly. I have seen chaos, I now see a mess. Students deliberating on the National Guard,—such a thing could not be seen among the Ogibewas nor the Cadodaches! Savages who go naked, with their noddles dressed like a shuttlecock, with a club in their paws, are less of brutes than those bachelors of arts! The four-penny monkeys! And they set up for judges! Those creatures deliberate and ratiocinate! The end of the world is come! This is plainly the end of this miserable terraqueous globe! A final hiccough was required, and France has emitted it. Deliberate, my rascals! Such things will happen so long as they go and read the newspapers under the arcades of the Odéon. That costs them a sou, and their good sense, and their intelligence, and their heart and their soul, and their wits. They emerge thence, and decamp from their families. All newspapers are pests; all, even the Drapeau Blanc! At bottom, Martainville was a Jacobin. Ah! just Heaven! you may boast of having driven your grandfather to despair, that you may!”
“That is evident,” said Théodule.
And profiting by the fact that M. Gillenormand was taking breath, the lancer added in a magisterial manner:—
“There should be no other newspaper than the Moniteur, and no other book than the Annuaire Militaire.”
M. Gillenormand continued:—
“It is like their Sieyès! A regicide ending in a senator; for that is the way they always end. They give themselves a scar with the address of thou as citizens, in order to get themselves called, eventually, Monsieur le Comte. Monsieur le Comte as big as my arm, assassins of September. The philosopher Sieyès! I will do myself the justice to say, that I have never had any better opinion of the philosophies of all those philosophers, than of the spectacles of the grimacer of Tivoli! One day I saw the Senators cross the Quai Malplaquet in mantles of violet velvet sown with bees, with hats à la Henri IV. They were hideous. One would have pronounced them monkeys from the tiger’s court. Citizens, I declare to you, that your progress is madness, that your humanity is a dream, that your revolution is a crime, that your republic is a monster, that your young and virgin France comes from the brothel, and I maintain it against all, whoever you may be, whether journalists, economists, legists, or even were you better judges of liberty, of equality, and fraternity than the knife of the guillotine! And that I announce to you, my fine fellows!”
“Parbleu!” cried the lieutenant, “that is wonderfully true.”
M. Gillenormand paused in a gesture which he had begun, wheeled round, stared Lancer Théodule intently in the eyes, and said to him:—
“You are a fool.”
BOOK SIXTH—THE CONJUNCTION OF TWO STARS
CHAPTER I—THE SOBRIQUET: MODE OF FORMATION OF FAMILY NAMES
Marius was, at this epoch, a handsome young man, of medium stature, with thick and intensely black hair, a lofty and intelligent brow, well-opened and passionate nostrils, an air of calmness and sincerity, and with something indescribably proud, thoughtful, and innocent over his whole countenance. His profile, all of whose lines were rounded, without thereby losing their firmness, had a certain Germanic sweetness, which has made its way into the French physiognomy by way of Alsace and Lorraine, and that complete absence of angles which rendered the Sicambres so easily recognizable among the Romans, and which distinguishes the leonine from the aquiline race. He was at that period of life when the mind of men who think is composed, in nearly equal parts, of depth and ingenuousness. A grave situation being given, he had all that is required to be stupid: one more turn of the key, and he might be sublime. His manners were reserved, cold, polished, not very genial. As his mouth was charming, his lips the reddest, and his teeth the whitest in the world, his smile corrected the severity of his face, as a whole. At certain moments, that pure brow and that voluptuous smile presented a singular contrast. His eyes were small, but his glance was large.
At the period of his most abject misery, he had observed that young girls turned round when he passed by, and he fled or hid, with death in his soul. He thought that they were staring at him because of his old clothes, and that they were laughing at them; the fact is, that they stared at him because of his grace, and that they dreamed of him.
This mute misunderstanding between him and the pretty passers-by had made him shy. He chose none of them for the excellent reason that he fled from all of them. He lived thus indefinitely,—stupidly, as Courfeyrac said.
Courfeyrac also said to him: “Do not aspire to be venerable” [they called each other thou; it is the tendency of youthful friendships to slip into this mode of address]. “Let me give you a piece of advice, my dear fellow. Don’t read so many books, and look a little more at the lasses. The jades have some good points about them, O Marius! By dint of fleeing and blushing, you will become brutalized.”
On other occasions, Courfeyrac encountered him and said:—“Good morning, Monsieur l’Abbé!”
When Courfeyrac had addressed to him some remark of this nature, Marius avoided women, both young and old, more than ever for a week to come, and he avoided Courfeyrac to boot.
Nevertheless, there existed in all the immensity of creation, two women whom Marius did not flee, and to whom he paid no attention whatever. In truth, he would have been very much amazed if he had been informed that they were women. One was the bearded old woman who swept out his chamber, and caused Courfeyrac to say: “Seeing that his servant woman wears his beard, Marius does not wear his own beard.” The other was a sort of little girl whom he saw very often, and whom he never looked at.
For more than a year, Marius had noticed in one of the walks of the Luxembourg, the one which skirts the parapet of the Pépinière, a man and a very young girl, who were almost always seated side by side on the same bench, at the most solitary end of the alley, on the Rue de l’Ouest side. Every time that that chance which meddles with the strolls of persons whose gaze is turned inwards, led Marius to that walk,—and it was nearly every day,—he found this couple there. The man appeared to be about sixty years of age; he seemed sad and serious; his whole person presented the robust and weary aspect peculiar to military men who have retired from the service. If he had worn a decoration, Marius would have said: “He is an ex-officer.” He had a kindly but unapproachable air, and he never let his glance linger on the eyes of any one. He wore blue trousers, a blue frock coat and a broad-brimmed hat, which always appeared to be new, a black cravat, a quaker shirt, that is to say, it was dazzlingly white, but of coarse linen. A grisette who passed near him one day, said: “Here’s a very tidy widower.” His hair was very white.
The first time that the young girl who accompanied him came and seated herself on the bench which they seemed to have adopted, she was a sort of child thirteen or fourteen years of age, so thin as to be almost homely, awkward, insignificant, and with a possible promise of handsome eyes. Only, they were always raised with a sort of displeasing assurance. Her dress was both aged and childish, like the dress of the scholars in a convent; it consisted of a badly cut gown of black merino. They had the air of being father and daughter.
Marius scanned this old man, who was not yet aged, and this little girl, who was not yet a person, for a few days, and thereafter paid no attention to them. They, on their side, did not appear even to see him. They conversed together with a peaceful and indifferent air. The girl chattered incessantly and merrily. The old man talked but little, and, at times, he fixed on her eyes overflowing with an ineffable paternity.
Marius had acquired the mechanical habit of strolling in that walk. He invariably found them there.
This is the way things went:—
Marius liked to arrive by the end of the alley which was furthest from their bench; he walked the whole length of the alley, passed in front of them, then returned to the extremity whence he had come, and began again. This he did five or six times in the course of his promenade, and the promenade was taken five or six times a week, without its having occurred to him or to these people to exchange a greeting. That personage, and that young girl, although they appeared,—and perhaps because they appeared,—to shun all glances, had, naturally, caused some attention on the part of the five or six students who strolled along the Pépinière from time to time; the studious after their lectures, the others after their game of billiards. Courfeyrac, who was among the last, had observed them several times, but, finding the girl homely, he had speedily and carefully kept out of the way. He had fled, discharging at them a sobriquet, like a Parthian dart. Impressed solely with the child’s gown and the old man’s hair, he had dubbed the daughter Mademoiselle Lanoire, and the father, Monsieur Leblanc, so that as no one knew them under any other title, this nickname became a law in the default of any other name. The students said: “Ah! Monsieur Leblanc is on his bench.” And Marius, like the rest, had found it convenient to call this unknown gentleman Monsieur Leblanc.
We shall follow their example, and we shall say M. Leblanc, in order to facilitate this tale.
So Marius saw them nearly every day, at the same hour, during the first year. He found the man to his taste, but the girl insipid.
CHAPTER II—LUX FACTA EST
During the second year, precisely at the point in this history which the reader has now reached, it chanced that this habit of the Luxembourg was interrupted, without Marius himself being quite aware why, and nearly six months elapsed, during which he did not set foot in the alley. One day, at last, he returned thither once more; it was a serene summer morning, and Marius was in joyous mood, as one is when the weather is fine. It seemed to him that he had in his heart all the songs of the birds that he was listening to, and all the bits of blue sky of which he caught glimpses through the leaves of the trees.
He went straight to “his alley,” and when he reached the end of it he perceived, still on the same bench, that well-known couple. Only, when he approached, it certainly was the same man; but it seemed to him that it was no longer the same girl. The person whom he now beheld was a tall and beautiful creature, possessed of all the most charming lines of a woman at the precise moment when they are still combined with all the most ingenuous graces of the child; a pure and fugitive moment, which can be expressed only by these two words,—“fifteen years.” She had wonderful brown hair, shaded with threads of gold, a brow that seemed made of marble, cheeks that seemed made of rose-leaf, a pale flush, an agitated whiteness, an exquisite mouth, whence smiles darted like sunbeams, and words like music, a head such as Raphael would have given to Mary, set upon a neck that Jean Goujon would have attributed to a Venus. And, in order that nothing might be lacking to this bewitching face, her nose was not handsome—it was pretty; neither straight nor curved, neither Italian nor Greek; it was the Parisian nose, that is to say, spiritual, delicate, irregular, pure,—which drives painters to despair, and charms poets.
When Marius passed near her, he could not see her eyes, which were constantly lowered. He saw only her long chestnut lashes, permeated with shadow and modesty.
This did not prevent the beautiful child from smiling as she listened to what the white-haired old man was saying to her, and nothing could be more fascinating than that fresh smile, combined with those drooping eyes.
For a moment, Marius thought that she was another daughter of the same man, a sister of the former, no doubt. But when the invariable habit of his stroll brought him, for the second time, near the bench, and he had examined her attentively, he recognized her as the same. In six months the little girl had become a young maiden; that was all. Nothing is more frequent than this phenomenon. There is a moment when girls blossom out in the twinkling of an eye, and become roses all at once. One left them children but yesterday; today, one finds them disquieting to the feelings.
This child had not only grown, she had become idealized. As three days in April suffice to cover certain trees with flowers, six months had sufficed to clothe her with beauty. Her April had arrived.
One sometimes sees people, who, poor and mean, seem to wake up, pass suddenly from indigence to luxury, indulge in expenditures of all sorts, and become dazzling, prodigal, magnificent, all of a sudden. That is the result of having pocketed an income; a note fell due yesterday. The young girl had received her quarterly income.
And then, she was no longer the school-girl with her felt hat, her merino gown, her scholar’s shoes, and red hands; taste had come to her with beauty; she was a well-dressed person, clad with a sort of rich and simple elegance, and without affectation. She wore a dress of black damask, a cape of the same material, and a bonnet of white crape. Her white gloves displayed the delicacy of the hand which toyed with the carved, Chinese ivory handle of a parasol, and her silken shoe outlined the smallness of her foot. When one passed near her, her whole toilette exhaled a youthful and penetrating perfume.
As for the man, he was the same as usual.
The second time that Marius approached her, the young girl raised her eyelids; her eyes were of a deep, celestial blue, but in that veiled azure, there was, as yet, nothing but the glance of a child. She looked at Marius indifferently, as she would have stared at the brat running beneath the sycamores, or the marble vase which cast a shadow on the bench, and Marius, on his side, continued his promenade, and thought about something else.
He passed near the bench where the young girl sat, five or six times, but without even turning his eyes in her direction.
On the following days, he returned, as was his wont, to the Luxembourg; as usual, he found there “the father and daughter;” but he paid no further attention to them. He thought no more about the girl now that she was beautiful than he had when she was homely. He passed very near the bench where she sat, because such was his habit.
CHAPTER III—EFFECT OF THE SPRING
One day, the air was warm, the Luxembourg was inundated with light and shade, the sky was as pure as though the angels had washed it that morning, the sparrows were giving vent to little twitters in the depths of the chestnut-trees. Marius had thrown open his whole soul to nature, he was not thinking of anything, he simply lived and breathed, he passed near the bench, the young girl raised her eyes to him, the two glances met.
What was there in the young girl’s glance on this occasion? Marius could not have told. There was nothing and there was everything. It was a strange flash.
She dropped her eyes, and he pursued his way.
What he had just seen was no longer the ingenuous and simple eye of a child; it was a mysterious gulf which had half opened, then abruptly closed again.
There comes a day when the young girl glances in this manner. Woe to him who chances to be there!
That first gaze of a soul which does not, as yet, know itself, is like the dawn in the sky. It is the awakening of something radiant and strange. Nothing can give any idea of the dangerous charm of that unexpected gleam, which flashes suddenly and vaguely forth from adorable shadows, and which is composed of all the innocence of the present, and of all the passion of the future. It is a sort of undecided tenderness which reveals itself by chance, and which waits. It is a snare which the innocent maiden sets unknown to herself, and in which she captures hearts without either wishing or knowing it. It is a virgin looking like a woman.
It is rare that a profound reverie does not spring from that glance, where it falls. All purities and all candors meet in that celestial and fatal gleam which, more than all the best-planned tender glances of coquettes, possesses the magic power of causing the sudden blossoming, in the depths of the soul, of that sombre flower, impregnated with perfume and with poison, which is called love.
That evening, on his return to his garret, Marius cast his eyes over his garments, and perceived, for the first time, that he had been so slovenly, indecorous, and inconceivably stupid as to go for his walk in the Luxembourg with his “every-day clothes,” that is to say, with a hat battered near the band, coarse carter’s boots, black trousers which showed white at the knees, and a black coat which was pale at the elbows.
CHAPTER IV—BEGINNING OF A GREAT MALADY
On the following day, at the accustomed hour, Marius drew from his wardrobe his new coat, his new trousers, his new hat, and his new boots; he clothed himself in this complete panoply, put on his gloves, a tremendous luxury, and set off for the Luxembourg.
On the way thither, he encountered Courfeyrac, and pretended not to see him. Courfeyrac, on his return home, said to his friends:—
“I have just met Marius’ new hat and new coat, with Marius inside them. He was going to pass an examination, no doubt. He looked utterly stupid.”
On arriving at the Luxembourg, Marius made the tour of the fountain basin, and stared at the swans; then he remained for a long time in contemplation before a statue whose head was perfectly black with mould, and one of whose hips was missing. Near the basin there was a bourgeois forty years of age, with a prominent stomach, who was holding by the hand a little urchin of five, and saying to him: “Shun excess, my son, keep at an equal distance from despotism and from anarchy.” Marius listened to this bourgeois. Then he made the circuit of the basin once more. At last he directed his course towards “his alley,” slowly, and as if with regret. One would have said that he was both forced to go there and withheld from doing so. He did not perceive it himself, and thought that he was doing as he always did.
On turning into the walk, he saw M. Leblanc and the young girl at the other end, “on their bench.” He buttoned his coat up to the very top, pulled it down on his body so that there might be no wrinkles, examined, with a certain complaisance, the lustrous gleams of his trousers, and marched on the bench. This march savored of an attack, and certainly of a desire for conquest. So I say that he marched on the bench, as I should say: “Hannibal marched on Rome.”
However, all his movements were purely mechanical, and he had interrupted none of the habitual preoccupations of his mind and labors. At that moment, he was thinking that the Manuel du Baccalauréat was a stupid book, and that it must have been drawn up by rare idiots, to allow of three tragedies of Racine and only one comedy of Molière being analyzed therein as masterpieces of the human mind. There was a piercing whistling going on in his ears. As he approached the bench, he held fast to the folds in his coat, and fixed his eyes on the young girl. It seemed to him that she filled the entire extremity of the alley with a vague blue light.
In proportion as he drew near, his pace slackened more and more. On arriving at some little distance from the bench, and long before he had reached the end of the walk, he halted, and could not explain to himself why he retraced his steps. He did not even say to himself that he would not go as far as the end. It was only with difficulty that the young girl could have perceived him in the distance and noted his fine appearance in his new clothes. Nevertheless, he held himself very erect, in case any one should be looking at him from behind.
He attained the opposite end, then came back, and this time he approached a little nearer to the bench. He even got to within three intervals of trees, but there he felt an indescribable impossibility of proceeding further, and he hesitated. He thought he saw the young girl’s face bending towards him. But he exerted a manly and violent effort, subdued his hesitation, and walked straight ahead. A few seconds later, he rushed in front of the bench, erect and firm, reddening to the very ears, without daring to cast a glance either to the right or to the left, with his hand thrust into his coat like a statesman. At the moment when he passed,—under the cannon of the place,—he felt his heart beat wildly. As on the preceding day, she wore her damask gown and her crape bonnet. He heard an ineffable voice, which must have been “her voice.” She was talking tranquilly. She was very pretty. He felt it, although he made no attempt to see her. “She could not, however,” he thought, “help feeling esteem and consideration for me, if she only knew that I am the veritable author of the dissertation on Marcos Obrégon de la Ronde, which M. François de Neufchâteau put, as though it were his own, at the head of his edition of Gil Blas.” He went beyond the bench as far as the extremity of the walk, which was very near, then turned on his heel and passed once more in front of the lovely girl. This time, he was very pale. Moreover, all his emotions were disagreeable. As he went further from the bench and the young girl, and while his back was turned to her, he fancied that she was gazing after him, and that made him stumble.
He did not attempt to approach the bench again; he halted near the middle of the walk, and there, a thing which he never did, he sat down, and reflecting in the most profoundly indistinct depths of his spirit, that after all, it was hard that persons whose white bonnet and black gown he admired should be absolutely insensible to his splendid trousers and his new coat.
At the expiration of a quarter of an hour, he rose, as though he were on the point of again beginning his march towards that bench which was surrounded by an aureole. But he remained standing there, motionless. For the first time in fifteen months, he said to himself that that gentleman who sat there every day with his daughter, had, on his side, noticed him, and probably considered his assiduity singular.
For the first time, also, he was conscious of some irreverence in designating that stranger, even in his secret thoughts, by the sobriquet of M. Leblanc.
He stood thus for several minutes, with drooping head, tracing figures in the sand, with the cane which he held in his hand.
Then he turned abruptly in the direction opposite to the bench, to M. Leblanc and his daughter, and went home.
That day he forgot to dine. At eight o’clock in the evening he perceived this fact, and as it was too late to go down to the Rue Saint-Jacques, he said: “Never mind!” and ate a bit of bread.
He did not go to bed until he had brushed his coat and folded it up with great care.
CHAPTER V—DIVERS CLAPS OF THUNDER FALL ON MA’AM BOUGON
On the following day, Ma’am Bougon, as Courfeyrac styled the old portress-principal-tenant, housekeeper of the Gorbeau hovel, Ma’am Bougon, whose name was, in reality, Madame Burgon, as we have found out, but this iconoclast, Courfeyrac, respected nothing,—Ma’am Bougon observed, with stupefaction, that M. Marius was going out again in his new coat.
He went to the Luxembourg again, but he did not proceed further than his bench midway of the alley. He seated himself there, as on the preceding day, surveying from a distance, and clearly making out, the white bonnet, the black dress, and above all, that blue light. He did not stir from it, and only went home when the gates of the Luxembourg closed. He did not see M. Leblanc and his daughter retire. He concluded that they had quitted the garden by the gate on the Rue de l’Ouest. Later on, several weeks afterwards, when he came to think it over, he could never recall where he had dined that evening.
On the following day, which was the third, Ma’am Bougon was thunderstruck. Marius went out in his new coat. “Three days in succession!” she exclaimed.
She tried to follow him, but Marius walked briskly, and with immense strides; it was a hippopotamus undertaking the pursuit of a chamois. She lost sight of him in two minutes, and returned breathless, three-quarters choked with asthma, and furious. “If there is any sense,” she growled, “in putting on one’s best clothes every day, and making people run like this!”
Marius betook himself to the Luxembourg.
The young girl was there with M. Leblanc. Marius approached as near as he could, pretending to be busy reading a book, but he halted afar off, then returned and seated himself on his bench, where he spent four hours in watching the house-sparrows who were skipping about the walk, and who produced on him the impression that they were making sport of him.
A fortnight passed thus. Marius went to the Luxembourg no longer for the sake of strolling there, but to seat himself always in the same spot, and that without knowing why. Once arrived there, he did not stir. He put on his new coat every morning, for the purpose of not showing himself, and he began all over again on the morrow.
She was decidedly a marvellous beauty. The only remark approaching a criticism, that could be made, was, that the contradiction between her gaze, which was melancholy, and her smile, which was merry, gave a rather wild effect to her face, which sometimes caused this sweet countenance to become strange without ceasing to be charming.
CHAPTER VI—TAKEN PRISONER
On one of the last days of the second week, Marius was seated on his bench, as usual, holding in his hand an open book, of which he had not turned a page for the last two hours. All at once he started. An event was taking place at the other extremity of the walk. Leblanc and his daughter had just left their seat, and the daughter had taken her father’s arm, and both were advancing slowly, towards the middle of the alley where Marius was. Marius closed his book, then opened it again, then forced himself to read; he trembled; the aureole was coming straight towards him. “Ah! good Heavens!” thought he, “I shall not have time to strike an attitude.” Still the white-haired man and the girl advanced. It seemed to him that this lasted for a century, and that it was but a second. “What are they coming in this direction for?” he asked himself. “What! She will pass here? Her feet will tread this sand, this walk, two paces from me?” He was utterly upset, he would have liked to be very handsome, he would have liked to own the cross. He heard the soft and measured sound of their approaching footsteps. He imagined that M. Leblanc was darting angry glances at him. “Is that gentleman going to address me?” he thought to himself. He dropped his head; when he raised it again, they were very near him. The young girl passed, and as she passed, she glanced at him. She gazed steadily at him, with a pensive sweetness which thrilled Marius from head to foot. It seemed to him that she was reproaching him for having allowed so long a time to elapse without coming as far as her, and that she was saying to him: “I am coming myself.” Marius was dazzled by those eyes fraught with rays and abysses.
He felt his brain on fire. She had come to him, what joy! And then, how she had looked at him! She appeared to him more beautiful than he had ever seen her yet. Beautiful with a beauty which was wholly feminine and angelic, with a complete beauty which would have made Petrarch sing and Dante kneel. It seemed to him that he was floating free in the azure heavens. At the same time, he was horribly vexed because there was dust on his boots.
He thought he felt sure that she had looked at his boots too.
He followed her with his eyes until she disappeared. Then he started up and walked about the Luxembourg garden like a madman. It is possible that, at times, he laughed to himself and talked aloud. He was so dreamy when he came near the children’s nurses, that each one of them thought him in love with her.
He quitted the Luxembourg, hoping to find her again in the street.
He encountered Courfeyrac under the arcades of the Odéon, and said to him: “Come and dine with me.” They went off to Rousseau’s and spent six francs. Marius ate like an ogre. He gave the waiter six sous. At dessert, he said to Courfeyrac. “Have you read the paper? What a fine discourse Audry de Puyraveau delivered!”
He was desperately in love.
After dinner, he said to Courfeyrac: “I will treat you to the play.” They went to the Porte-Sainte-Martin to see Frédérick in l’Auberge des Adrets. Marius was enormously amused.
At the same time, he had a redoubled attack of shyness. On emerging from the theatre, he refused to look at the garter of a modiste who was stepping across a gutter, and Courfeyrac, who said: “I should like to put that woman in my collection,” almost horrified him.
Courfeyrac invited him to breakfast at the Café Voltaire on the following morning. Marius went thither, and ate even more than on the preceding evening. He was very thoughtful and very merry. One would have said that he was taking advantage of every occasion to laugh uproariously. He tenderly embraced some man or other from the provinces, who was presented to him. A circle of students formed round the table, and they spoke of the nonsense paid for by the State which was uttered from the rostrum in the Sorbonne, then the conversation fell upon the faults and omissions in Guicherat’s dictionaries and grammars. Marius interrupted the discussion to exclaim: “But it is very agreeable, all the same to have the cross!”
“That’s queer!” whispered Courfeyrac to Jean Prouvaire.
“No,” responded Prouvaire, “that’s serious.”
It was serious; in fact, Marius had reached that first violent and charming hour with which grand passions begin.
A glance had wrought all this.
When the mine is charged, when the conflagration is ready, nothing is more simple. A glance is a spark.
It was all over with him. Marius loved a woman. His fate was entering the unknown.
The glance of women resembles certain combinations of wheels, which are tranquil in appearance yet formidable. You pass close to them every day, peaceably and with impunity, and without a suspicion of anything. A moment arrives when you forget that the thing is there. You go and come, dream, speak, laugh. All at once you feel yourself clutched; all is over. The wheels hold you fast, the glance has ensnared you. It has caught you, no matter where or how, by some portion of your thought which was fluttering loose, by some distraction which had attacked you. You are lost. The whole of you passes into it. A chain of mysterious forces takes possession of you. You struggle in vain; no more human succor is possible. You go on falling from gearing to gearing, from agony to agony, from torture to torture, you, your mind, your fortune, your future, your soul; and, according to whether you are in the power of a wicked creature, or of a noble heart, you will not escape from this terrifying machine otherwise than disfigured with shame, or transfigured by passion.
CHAPTER VII—ADVENTURES OF THE LETTER U DELIVERED OVER TO CONJECTURES
Isolation, detachment, from everything, pride, independence, the taste of nature, the absence of daily and material activity, the life within himself, the secret conflicts of chastity, a benevolent ecstasy towards all creation, had prepared Marius for this possession which is called passion. His worship of his father had gradually become a religion, and, like all religions, it had retreated to the depths of his soul. Something was required in the foreground. Love came.
A full month elapsed, during which Marius went every day to the Luxembourg. When the hour arrived, nothing could hold him back.—“He is on duty,” said Courfeyrac. Marius lived in a state of delight. It is certain that the young girl did look at him.
He had finally grown bold, and approached the bench. Still, he did not pass in front of it any more, in obedience to the instinct of timidity and to the instinct of prudence common to lovers. He considered it better not to attract “the attention of the father.” He combined his stations behind the trees and the pedestals of the statues with a profound diplomacy, so that he might be seen as much as possible by the young girl and as little as possible by the old gentleman. Sometimes, he remained motionless by the half-hour together in the shade of a Leonidas or a Spartacus, holding in his hand a book, above which his eyes, gently raised, sought the beautiful girl, and she, on her side, turned her charming profile towards him with a vague smile. While conversing in the most natural and tranquil manner in the world with the white-haired man, she bent upon Marius all the reveries of a virginal and passionate eye. Ancient and time-honored manœuvre which Eve understood from the very first day of the world, and which every woman understands from the very first day of her life! her mouth replied to one, and her glance replied to another.
It must be supposed, that M. Leblanc finally noticed something, for often, when Marius arrived, he rose and began to walk about. He had abandoned their accustomed place and had adopted the bench by the Gladiator, near the other end of the walk, as though with the object of seeing whether Marius would pursue them thither. Marius did not understand, and committed this error. “The father” began to grow inexact, and no longer brought “his daughter” every day. Sometimes, he came alone. Then Marius did not stay. Another blunder.