“Parbleu! You made game of me in the past! You are the cause of all my misfortunes! For fifteen hundred francs you got a girl whom I had, and who certainly belonged to rich people, and who had already brought in a great deal of money, and from whom I might have extracted enough to live on all my life! A girl who would have made up to me for everything that I lost in that vile cook-shop, where there was nothing but one continual row, and where, like a fool, I ate up my last farthing! Oh! I wish all the wine folks drank in my house had been poison to those who drank it! Well, never mind! Say, now! You must have thought me ridiculous when you went off with the Lark! You had your cudgel in the forest. You were the stronger. Revenge. I’m the one to hold the trumps to-day! You’re in a sorry case, my good fellow! Oh, but I can laugh! Really, I laugh! Didn’t he fall into the trap! I told him that I was an actor, that my name was Fabantou, that I had played comedy with Mamselle Mars, with Mamselle Muche, that my landlord insisted on being paid tomorrow, the 4th of February, and he didn’t even notice that the 8th of January, and not the 4th of February is the time when the quarter runs out! Absurd idiot! And the four miserable Philippes which he has brought me! Scoundrel! He hadn’t the heart even to go as high as a hundred francs! And how he swallowed my platitudes! That did amuse me. I said to myself: ‘Blockhead! Come, I’ve got you! I lick your paws this morning, but I’ll gnaw your heart this evening!’”
Thénardier paused. He was out of breath. His little, narrow chest panted like a forge bellows. His eyes were full of the ignoble happiness of a feeble, cruel, and cowardly creature, which finds that it can, at last, harass what it has feared, and insult what it has flattered, the joy of a dwarf who should be able to set his heel on the head of Goliath, the joy of a jackal which is beginning to rend a sick bull, so nearly dead that he can no longer defend himself, but sufficiently alive to suffer still.
M. Leblanc did not interrupt him, but said to him when he paused:—
“I do not know what you mean to say. You are mistaken in me. I am a very poor man, and anything but a millionnaire. I do not know you. You are mistaking me for some other person.”
“Ah!” roared Thénardier hoarsely, “a pretty lie! You stick to that pleasantry, do you! You’re floundering, my old buck! Ah! You don’t remember! You don’t see who I am?”
“Excuse me, sir,” said M. Leblanc with a politeness of accent, which at that moment seemed peculiarly strange and powerful, “I see that you are a villain!”
Who has not remarked the fact that odious creatures possess a susceptibility of their own, that monsters are ticklish! At this word “villain,” the female Thénardier sprang from the bed, Thénardier grasped his chair as though he were about to crush it in his hands. “Don’t you stir!” he shouted to his wife; and, turning to M. Leblanc:—
“Villain! Yes, I know that you call us that, you rich gentlemen! Stop! it’s true that I became bankrupt, that I am in hiding, that I have no bread, that I have not a single sou, that I am a villain! It’s three days since I have had anything to eat, so I’m a villain! Ah! you folks warm your feet, you have Sakoski boots, you have wadded great-coats, like archbishops, you lodge on the first floor in houses that have porters, you eat truffles, you eat asparagus at forty francs the bunch in the month of January, and green peas, you gorge yourselves, and when you want to know whether it is cold, you look in the papers to see what the engineer Chevalier’s thermometer says about it. We, it is we who are thermometers. We don’t need to go out and look on the quay at the corner of the Tour de l’Horologe, to find out the number of degrees of cold; we feel our blood congealing in our veins, and the ice forming round our hearts, and we say: ‘There is no God!’ And you come to our caverns, yes our caverns, for the purpose of calling us villains! But we’ll devour you! But we’ll devour you, poor little things! Just see here, Mister millionnaire: I have been a solid man, I have held a license, I have been an elector, I am a bourgeois, that I am! And it’s quite possible that you are not!”
Here Thénardier took a step towards the men who stood near the door, and added with a shudder:—
“When I think that he has dared to come here and talk to me like a cobbler!”
Then addressing M. Leblanc with a fresh outburst of frenzy:—
“And listen to this also, Mister philanthropist! I’m not a suspicious character, not a bit of it! I’m not a man whose name nobody knows, and who comes and abducts children from houses! I’m an old French soldier, I ought to have been decorated! I was at Waterloo, so I was! And in the battle I saved a general called the Comte of I don’t know what. He told me his name, but his beastly voice was so weak that I didn’t hear. All I caught was Merci [thanks]. I’d rather have had his name than his thanks. That would have helped me to find him again. The picture that you see here, and which was painted by David at Bruqueselles,—do you know what it represents? It represents me. David wished to immortalize that feat of prowess. I have that general on my back, and I am carrying him through the grape-shot. There’s the history of it! That general never did a single thing for me; he was no better than the rest! But nonetheless, I saved his life at the risk of my own, and I have the certificate of the fact in my pocket! I am a soldier of Waterloo, by all the furies! And now that I have had the goodness to tell you all this, let’s have an end of it. I want money, I want a deal of money, I must have an enormous lot of money, or I’ll exterminate you, by the thunder of the good God!”
Marius had regained some measure of control over his anguish, and was listening. The last possibility of doubt had just vanished. It certainly was the Thénardier of the will. Marius shuddered at that reproach of ingratitude directed against his father, and which he was on the point of so fatally justifying. His perplexity was redoubled.
Moreover, there was in all these words of Thénardier, in his accent, in his gesture, in his glance which darted flames at every word, there was, in this explosion of an evil nature disclosing everything, in that mixture of braggadocio and abjectness, of pride and pettiness, of rage and folly, in that chaos of real griefs and false sentiments, in that immodesty of a malicious man tasting the voluptuous delights of violence, in that shameless nudity of a repulsive soul, in that conflagration of all sufferings combined with all hatreds, something which was as hideous as evil, and as heart-rending as the truth.
The picture of the master, the painting by David which he had proposed that M. Leblanc should purchase, was nothing else, as the reader has divined, than the sign of his tavern painted, as it will be remembered, by himself, the only relic which he had preserved from his shipwreck at Montfermeil.
As he had ceased to intercept Marius’ visual ray, Marius could examine this thing, and in the daub, he actually did recognize a battle, a background of smoke, and a man carrying another man. It was the group composed of Pontmercy and Thénardier; the sergeant the rescuer, the colonel rescued. Marius was like a drunken man; this picture restored his father to life in some sort; it was no longer the signboard of the wine-shop at Montfermeil, it was a resurrection; a tomb had yawned, a phantom had risen there. Marius heard his heart beating in his temples, he had the cannon of Waterloo in his ears, his bleeding father, vaguely depicted on that sinister panel terrified him, and it seemed to him that the misshapen spectre was gazing intently at him.
When Thénardier had recovered his breath, he turned his bloodshot eyes on M. Leblanc, and said to him in a low, curt voice:—
“What have you to say before we put the handcuffs on you?”
M. Leblanc held his peace.
In the midst of this silence, a cracked voice launched this lugubrious sarcasm from the corridor:—
“If there’s any wood to be split, I’m there!”
It was the man with the axe, who was growing merry.
At the same moment, an enormous, bristling, and clayey face made its appearance at the door, with a hideous laugh which exhibited not teeth, but fangs.
It was the face of the man with the butcher’s axe.
“Why have you taken off your mask?” cried Thénardier in a rage.
“For fun,” retorted the man.
For the last few minutes M. Leblanc had appeared to be watching and following all the movements of Thénardier, who, blinded and dazzled by his own rage, was stalking to and fro in the den with full confidence that the door was guarded, and of holding an unarmed man fast, he being armed himself, of being nine against one, supposing that the female Thénardier counted for but one man.
During his address to the man with the pole-axe, he had turned his back to M. Leblanc.
M. Leblanc seized this moment, overturned the chair with his foot and the table with his fist, and with one bound, with prodigious agility, before Thénardier had time to turn round, he had reached the window. To open it, to scale the frame, to bestride it, was the work of a second only. He was half out when six robust fists seized him and dragged him back energetically into the hovel. These were the three “chimney-builders,” who had flung themselves upon him. At the same time the Thénardier woman had wound her hands in his hair.
At the trampling which ensued, the other ruffians rushed up from the corridor. The old man on the bed, who seemed under the influence of wine, descended from the pallet and came reeling up, with a stone-breaker’s hammer in his hand.
One of the “chimney-builders,” whose smirched face was lighted up by the candle, and in whom Marius recognized, in spite of his daubing, Panchaud, alias Printanier, alias Bigrenaille, lifted above M. Leblanc’s head a sort of bludgeon made of two balls of lead, at the two ends of a bar of iron.
Marius could not resist this sight. “My father,” he thought, “forgive me!”
And his finger sought the trigger of his pistol.
The shot was on the point of being discharged when Thénardier’s voice shouted:—
“Don’t harm him!”
This desperate attempt of the victim, far from exasperating Thénardier, had calmed him. There existed in him two men, the ferocious man and the adroit man. Up to that moment, in the excess of his triumph in the presence of the prey which had been brought down, and which did not stir, the ferocious man had prevailed; when the victim struggled and tried to resist, the adroit man reappeared and took the upper hand.
“Don’t hurt him!” he repeated, and without suspecting it, his first success was to arrest the pistol in the act of being discharged, and to paralyze Marius, in whose opinion the urgency of the case disappeared, and who, in the face of this new phase, saw no inconvenience in waiting a while longer.
Who knows whether some chance would not arise which would deliver him from the horrible alternative of allowing Ursule’s father to perish, or of destroying the colonel’s saviour?
A herculean struggle had begun. With one blow full in the chest, M. Leblanc had sent the old man tumbling, rolling in the middle of the room, then with two backward sweeps of his hand he had overthrown two more assailants, and he held one under each of his knees; the wretches were rattling in the throat beneath this pressure as under a granite millstone; but the other four had seized the formidable old man by both arms and the back of his neck, and were holding him doubled up over the two “chimney-builders” on the floor.
Thus, the master of some and mastered by the rest, crushing those beneath him and stifling under those on top of him, endeavoring in vain to shake off all the efforts which were heaped upon him, M. Leblanc disappeared under the horrible group of ruffians like the wild boar beneath a howling pile of dogs and hounds.
They succeeded in overthrowing him upon the bed nearest the window, and there they held him in awe. The Thénardier woman had not released her clutch on his hair.
“Don’t you mix yourself up in this affair,” said Thénardier. “You’ll tear your shawl.”
The Thénardier obeyed, as the female wolf obeys the male wolf, with a growl.
“Now,” said Thénardier, “search him, you other fellows!”
M. Leblanc seemed to have renounced the idea of resistance.
They searched him.
He had nothing on his person except a leather purse containing six francs, and his handkerchief.
Thénardier put the handkerchief into his own pocket.
“What! No pocket-book?” he demanded.
“No, nor watch,” replied one of the “chimney-builders.”
“Never mind,” murmured the masked man who carried the big key, in the voice of a ventriloquist, “he’s a tough old fellow.”
Thénardier went to the corner near the door, picked up a bundle of ropes and threw them at the men.
“Tie him to the leg of the bed,” said he.
And, catching sight of the old man who had been stretched across the room by the blow from M. Leblanc’s fist, and who made no movement, he added:—
“Is Boulatruelle dead?”
“No,” replied Bigrenaille, “he’s drunk.”
“Sweep him into a corner,” said Thénardier.
Two of the “chimney-builders” pushed the drunken man into the corner near the heap of old iron with their feet.
“Babet,” said Thénardier in a low tone to the man with the cudgel, “why did you bring so many; they were not needed.”
“What can you do?” replied the man with the cudgel, “they all wanted to be in it. This is a bad season. There’s no business going on.”
The pallet on which M. Leblanc had been thrown was a sort of hospital bed, elevated on four coarse wooden legs, roughly hewn.
M. Leblanc let them take their own course.
The ruffians bound him securely, in an upright attitude, with his feet on the ground at the head of the bed, the end which was most remote from the window, and nearest to the fireplace.
When the last knot had been tied, Thénardier took a chair and seated himself almost facing M. Leblanc.
Thénardier no longer looked like himself; in the course of a few moments his face had passed from unbridled violence to tranquil and cunning sweetness.
Marius found it difficult to recognize in that polished smile of a man in official life the almost bestial mouth which had been foaming but a moment before; he gazed with amazement on that fantastic and alarming metamorphosis, and he felt as a man might feel who should behold a tiger converted into a lawyer.
“Monsieur—” said Thénardier.
And dismissing with a gesture the ruffians who still kept their hands on M. Leblanc:—
“Stand off a little, and let me have a talk with the gentleman.”
All retired towards the door.
He went on:—
“Monsieur, you did wrong to try to jump out of the window. You might have broken your leg. Now, if you will permit me, we will converse quietly. In the first place, I must communicate to you an observation which I have made which is, that you have not uttered the faintest cry.”
Thénardier was right, this detail was correct, although it had escaped Marius in his agitation. M. Leblanc had barely pronounced a few words, without raising his voice, and even during his struggle with the six ruffians near the window he had preserved the most profound and singular silence.
Thénardier continued:—
“Mon Dieu! You might have shouted ‘stop thief’ a bit, and I should not have thought it improper. ‘Murder!’ That, too, is said occasionally, and, so far as I am concerned, I should not have taken it in bad part. It is very natural that you should make a little row when you find yourself with persons who don’t inspire you with sufficient confidence. You might have done that, and no one would have troubled you on that account. You would not even have been gagged. And I will tell you why. This room is very private. That’s its only recommendation, but it has that in its favor. You might fire off a mortar and it would produce about as much noise at the nearest police station as the snores of a drunken man. Here a cannon would make a boum, and the thunder would make a pouf. It’s a handy lodging. But, in short, you did not shout, and it is better so. I present you my compliments, and I will tell you the conclusion that I draw from that fact: My dear sir, when a man shouts, who comes? The police. And after the police? Justice. Well! You have not made an outcry; that is because you don’t care to have the police and the courts come in any more than we do. It is because,—I have long suspected it,—you have some interest in hiding something. On our side we have the same interest. So we can come to an understanding.”
As he spoke thus, it seemed as though Thénardier, who kept his eyes fixed on M. Leblanc, were trying to plunge the sharp points which darted from the pupils into the very conscience of his prisoner. Moreover, his language, which was stamped with a sort of moderated, subdued insolence and crafty insolence, was reserved and almost choice, and in that rascal, who had been nothing but a robber a short time previously, one now felt “the man who had studied for the priesthood.”
The silence preserved by the prisoner, that precaution which had been carried to the point of forgetting all anxiety for his own life, that resistance opposed to the first impulse of nature, which is to utter a cry, all this, it must be confessed, now that his attention had been called to it, troubled Marius, and affected him with painful astonishment.
Thénardier’s well-grounded observation still further obscured for Marius the dense mystery which enveloped that grave and singular person on whom Courfeyrac had bestowed the sobriquet of Monsieur Leblanc.
But whoever he was, bound with ropes, surrounded with executioners, half plunged, so to speak, in a grave which was closing in upon him to the extent of a degree with every moment that passed, in the presence of Thénardier’s wrath, as in the presence of his sweetness, this man remained impassive; and Marius could not refrain from admiring at such a moment the superbly melancholy visage.
Here, evidently, was a soul which was inaccessible to terror, and which did not know the meaning of despair. Here was one of those men who command amazement in desperate circumstances. Extreme as was the crisis, inevitable as was the catastrophe, there was nothing here of the agony of the drowning man, who opens his horror-filled eyes under the water.
Thénardier rose in an unpretending manner, went to the fireplace, shoved aside the screen, which he leaned against the neighboring pallet, and thus unmasked the brazier full of glowing coals, in which the prisoner could plainly see the chisel white-hot and spotted here and there with tiny scarlet stars.
Then Thénardier returned to his seat beside M. Leblanc.
“I continue,” said he. “We can come to an understanding. Let us arrange this matter in an amicable way. I was wrong to lose my temper just now, I don’t know what I was thinking of, I went a great deal too far, I said extravagant things. For example, because you are a millionnaire, I told you that I exacted money, a lot of money, a deal of money. That would not be reasonable. Mon Dieu, in spite of your riches, you have expenses of your own—who has not? I don’t want to ruin you, I am not a greedy fellow, after all. I am not one of those people who, because they have the advantage of the position, profit by the fact to make themselves ridiculous. Why, I’m taking things into consideration and making a sacrifice on my side. I only want two hundred thousand francs.”
M. Leblanc uttered not a word.
Thénardier went on:—
“You see that I put not a little water in my wine; I’m very moderate. I don’t know the state of your fortune, but I do know that you don’t stick at money, and a benevolent man like yourself can certainly give two hundred thousand francs to the father of a family who is out of luck. Certainly, you are reasonable, too; you haven’t imagined that I should take all the trouble I have to-day and organized this affair this evening, which has been labor well bestowed, in the opinion of these gentlemen, merely to wind up by asking you for enough to go and drink red wine at fifteen sous and eat veal at Desnoyer’s. Two hundred thousand francs—it’s surely worth all that. This trifle once out of your pocket, I guarantee you that that’s the end of the matter, and that you have no further demands to fear. You will say to me: ‘But I haven’t two hundred thousand francs about me.’ Oh! I’m not extortionate. I don’t demand that. I only ask one thing of you. Have the goodness to write what I am about to dictate to you.”
Here Thénardier paused; then he added, emphasizing his words, and casting a smile in the direction of the brazier:—
“I warn you that I shall not admit that you don’t know how to write.”
A grand inquisitor might have envied that smile.
Thénardier pushed the table close to M. Leblanc, and took an inkstand, a pen, and a sheet of paper from the drawer which he left half open, and in which gleamed the long blade of the knife.
He placed the sheet of paper before M. Leblanc.
“Write,” said he.
The prisoner spoke at last.
“How do you expect me to write? I am bound.”
“That’s true, excuse me!” ejaculated Thénardier, “you are quite right.”
And turning to Bigrenaille:—
“Untie the gentleman’s right arm.”
Panchaud, alias Printanier, alias Bigrenaille, executed Thénardier’s order.
When the prisoner’s right arm was free, Thénardier dipped the pen in the ink and presented it to him.
“Understand thoroughly, sir, that you are in our power, at our discretion, that no human power can get you out of this, and that we shall be really grieved if we are forced to proceed to disagreeable extremities. I know neither your name, nor your address, but I warn you, that you will remain bound until the person charged with carrying the letter which you are about to write shall have returned. Now, be so good as to write.”
“What?” demanded the prisoner.
“I will dictate.”
M. Leblanc took the pen.
Thénardier began to dictate:—
“My daughter—”
The prisoner shuddered, and raised his eyes to Thénardier.
“Put down ‘My dear daughter’—” said Thénardier.
M. Leblanc obeyed.
Thénardier continued:—
“Come instantly—”
He paused:—
“You address her as thou, do you not?”
“Who?” asked M. Leblanc.
“Parbleu!” cried Thénardier, “the little one, the Lark.”
M. Leblanc replied without the slightest apparent emotion:—
“I do not know what you mean.”
“Go on, nevertheless,” ejaculated Thénardier, and he continued to dictate:—
“Come immediately, I am in absolute need of thee. The person who will deliver this note to thee is instructed to conduct thee to me. I am waiting for thee. Come with confidence.”
M. Leblanc had written the whole of this.
Thénardier resumed:—
“Ah! erase ‘come with confidence’; that might lead her to suppose that everything was not as it should be, and that distrust is possible.”
M. Leblanc erased the three words.
“Now,” pursued Thénardier, “sign it. What’s your name?”
The prisoner laid down the pen and demanded:—
“For whom is this letter?”
“You know well,” retorted Thénardier, “for the little one I just told you so.”
It was evident that Thénardier avoided naming the young girl in question. He said “the Lark,” he said “the little one,” but he did not pronounce her name—the precaution of a clever man guarding his secret from his accomplices. To mention the name was to deliver the whole “affair” into their hands, and to tell them more about it than there was any need of their knowing.
He went on:—
“Sign. What is your name?”
“Urbain Fabre,” said the prisoner.
Thénardier, with the movement of a cat, dashed his hand into his pocket and drew out the handkerchief which had been seized on M. Leblanc. He looked for the mark on it, and held it close to the candle.
“U. F. That’s it. Urbain Fabre. Well, sign it U. F.”
The prisoner signed.
“As two hands are required to fold the letter, give it to me, I will fold it.”
That done, Thénardier resumed:—
“Address it, ‘Mademoiselle Fabre,’ at your house. I know that you live a long distance from here, near Saint-Jacques-du-Haut-Pas, because you go to mass there every day, but I don’t know in what street. I see that you understand your situation. As you have not lied about your name, you will not lie about your address. Write it yourself.”
The prisoner paused thoughtfully for a moment, then he took the pen and wrote:—
“Mademoiselle Fabre, at M. Urbain Fabre’s, Rue Saint-Dominique-D’Enfer, No. 17.”
Thénardier seized the letter with a sort of feverish convulsion.
“Wife!” he cried.
The Thénardier woman hastened to him.
“Here’s the letter. You know what you have to do. There is a carriage at the door. Set out at once, and return ditto.”
And addressing the man with the meat-axe:—
“Since you have taken off your nose-screen, accompany the mistress. You will get up behind the fiacre. You know where you left the team?”
“Yes,” said the man.
And depositing his axe in a corner, he followed Madame Thénardier.
As they set off, Thénardier thrust his head through the half-open door, and shouted into the corridor:—
“Above all things, don’t lose the letter! remember that you carry two hundred thousand francs with you!”
The Thénardier’s hoarse voice replied:—
“Be easy. I have it in my bosom.”
A minute had not elapsed, when the sound of the cracking of a whip was heard, which rapidly retreated and died away.
“Good!” growled Thénardier. “They’re going at a fine pace. At such a gallop, the bourgeoise will be back inside three-quarters of an hour.”
He drew a chair close to the fireplace, folding his arms, and presenting his muddy boots to the brazier.
“My feet are cold!” said he.
Only five ruffians now remained in the den with Thénardier and the prisoner.
These men, through the black masks or paste which covered their faces, and made of them, at fear’s pleasure, charcoal-burners, negroes, or demons, had a stupid and gloomy air, and it could be felt that they perpetrated a crime like a bit of work, tranquilly, without either wrath or mercy, with a sort of ennui. They were crowded together in one corner like brutes, and remained silent.
Thénardier warmed his feet.
The prisoner had relapsed into his taciturnity. A sombre calm had succeeded to the wild uproar which had filled the garret but a few moments before.
The candle, on which a large “stranger” had formed, cast but a dim light in the immense hovel, the brazier had grown dull, and all those monstrous heads cast misshapen shadows on the walls and ceiling.
No sound was audible except the quiet breathing of the old drunken man, who was fast asleep.
Marius waited in a state of anxiety that was augmented by every trifle. The enigma was more impenetrable than ever.
Who was this “little one” whom Thénardier had called the Lark? Was she his “Ursule”? The prisoner had not seemed to be affected by that word, “the Lark,” and had replied in the most natural manner in the world: “I do not know what you mean.” On the other hand, the two letters U. F. were explained; they meant Urbain Fabre; and Ursule was no longer named Ursule. This was what Marius perceived most clearly of all.
A sort of horrible fascination held him nailed to his post, from which he was observing and commanding this whole scene. There he stood, almost incapable of movement or reflection, as though annihilated by the abominable things viewed at such close quarters. He waited, in the hope of some incident, no matter of what nature, since he could not collect his thoughts and did not know upon what course to decide.
“In any case,” he said, “if she is the Lark, I shall see her, for the Thénardier woman is to bring her hither. That will be the end, and then I will give my life and my blood if necessary, but I will deliver her! Nothing shall stop me.”
Nearly half an hour passed in this manner. Thénardier seemed to be absorbed in gloomy reflections, the prisoner did not stir. Still, Marius fancied that at intervals, and for the last few moments, he had heard a faint, dull noise in the direction of the prisoner.
All at once, Thénardier addressed the prisoner:
“By the way, Monsieur Fabre, I might as well say it to you at once.”
These few words appeared to be the beginning of an explanation. Marius strained his ears.
“My wife will be back shortly, don’t get impatient. I think that the Lark really is your daughter, and it seems to me quite natural that you should keep her. Only, listen to me a bit. My wife will go and hunt her up with your letter. I told my wife to dress herself in the way she did, so that your young lady might make no difficulty about following her. They will both enter the carriage with my comrade behind. Somewhere, outside the barrier, there is a trap harnessed to two very good horses. Your young lady will be taken to it. She will alight from the fiacre. My comrade will enter the other vehicle with her, and my wife will come back here to tell us: ‘It’s done.’ As for the young lady, no harm will be done to her; the trap will conduct her to a place where she will be quiet, and just as soon as you have handed over to me those little two hundred thousand francs, she will be returned to you. If you have me arrested, my comrade will give a turn of his thumb to the Lark, that’s all.”
The prisoner uttered not a syllable. After a pause, Thénardier continued:—
“It’s very simple, as you see. There’ll be no harm done unless you wish that there should be harm done. I’m telling you how things stand. I warn you so that you may be prepared.”
He paused: the prisoner did not break the silence, and Thénardier resumed:—
“As soon as my wife returns and says to me: ‘The Lark is on the way,’ we will release you, and you will be free to go and sleep at home. You see that our intentions are not evil.”
Terrible images passed through Marius’ mind. What! That young girl whom they were abducting was not to be brought back? One of those monsters was to bear her off into the darkness? Whither? And what if it were she!
It was clear that it was she. Marius felt his heart stop beating.
What was he to do? Discharge the pistol? Place all those scoundrels in the hands of justice? But the horrible man with the meat-axe would, nonetheless, be out of reach with the young girl, and Marius reflected on Thénardier’s words, of which he perceived the bloody significance: “If you have me arrested, my comrade will give a turn of his thumb to the Lark.”
Now, it was not alone by the colonel’s testament, it was by his own love, it was by the peril of the one he loved, that he felt himself restrained.
This frightful situation, which had already lasted above half an hour, was changing its aspect every moment.
Marius had sufficient strength of mind to review in succession all the most heart-breaking conjectures, seeking hope and finding none.
The tumult of his thoughts contrasted with the funereal silence of the den.
In the midst of this silence, the door at the bottom of the staircase was heard to open and shut again.
The prisoner made a movement in his bonds.
“Here’s the bourgeoise,” said Thénardier.
He had hardly uttered the words, when the Thénardier woman did in fact rush hastily into the room, red, panting, breathless, with flaming eyes, and cried, as she smote her huge hands on her thighs simultaneously:—
“False address!”
The ruffian who had gone with her made his appearance behind her and picked up his axe again.
She resumed:—
“Nobody there! Rue Saint-Dominique, No. 17, no Monsieur Urbain Fabre! They know not what it means!”
She paused, choking, then went on:—
“Monsieur Thénardier! That old fellow has duped you! You are too good, you see! If it had been me, I’d have chopped the beast in four quarters to begin with! And if he had acted ugly, I’d have boiled him alive! He would have been obliged to speak, and say where the girl is, and where he keeps his shiners! That’s the way I should have managed matters! People are perfectly right when they say that men are a deal stupider than women! Nobody at No. 17. It’s nothing but a big carriage gate! No Monsieur Fabre in the Rue Saint-Dominique! And after all that racing and fee to the coachman and all! I spoke to both the porter and the portress, a fine, stout woman, and they know nothing about him!”
Marius breathed freely once more.
She, Ursule or the Lark, he no longer knew what to call her, was safe.
While his exasperated wife vociferated, Thénardier had seated himself on the table.
For several minutes he uttered not a word, but swung his right foot, which hung down, and stared at the brazier with an air of savage reverie.
Finally, he said to the prisoner, with a slow and singularly ferocious tone:
“A false address? What did you expect to gain by that?”
“To gain time!” cried the prisoner in a thundering voice, and at the same instant he shook off his bonds; they were cut. The prisoner was only attached to the bed now by one leg.
Before the seven men had time to collect their senses and dash forward, he had bent down into the fireplace, had stretched out his hand to the brazier, and had then straightened himself up again, and now Thénardier, the female Thénardier, and the ruffians, huddled in amazement at the extremity of the hovel, stared at him in stupefaction, as almost free and in a formidable attitude, he brandished above his head the red-hot chisel, which emitted a threatening glow.
The judicial examination to which the ambush in the Gorbeau house eventually gave rise, established the fact that a large sou piece, cut and worked in a peculiar fashion, was found in the garret, when the police made their descent on it. This sou piece was one of those marvels of industry, which are engendered by the patience of the galleys in the shadows and for the shadows, marvels which are nothing else than instruments of escape. These hideous and delicate products of wonderful art are to jewellers’ work what the metaphors of slang are to poetry. There are Benvenuto Cellinis in the galleys, just as there are Villons in language. The unhappy wretch who aspires to deliverance finds means sometimes without tools, sometimes with a common wooden-handled knife, to saw a sou into two thin plates, to hollow out these plates without affecting the coinage stamp, and to make a furrow on the edge of the sou in such a manner that the plates will adhere again. This can be screwed together and unscrewed at will; it is a box. In this box he hides a watch-spring, and this watch-spring, properly handled, cuts good-sized chains and bars of iron. The unfortunate convict is supposed to possess merely a sou; not at all, he possesses liberty. It was a large sou of this sort which, during the subsequent search of the police, was found under the bed near the window. They also found a tiny saw of blue steel which would fit the sou.
It is probable that the prisoner had this sou piece on his person at the moment when the ruffians searched him, that he contrived to conceal it in his hand, and that afterward, having his right hand free, he unscrewed it, and used it as a saw to cut the cords which fastened him, which would explain the faint noise and almost imperceptible movements which Marius had observed.
As he had not been able to bend down, for fear of betraying himself, he had not cut the bonds of his left leg.
The ruffians had recovered from their first surprise.
“Be easy,” said Bigrenaille to Thénardier. “He still holds by one leg, and he can’t get away. I’ll answer for that. I tied that paw for him.”
In the meanwhile, the prisoner had begun to speak:—
“You are wretches, but my life is not worth the trouble of defending it. When you think that you can make me speak, that you can make me write what I do not choose to write, that you can make me say what I do not choose to say—”
He stripped up his left sleeve, and added:—
“See here.”
At the same moment he extended his arm, and laid the glowing chisel which he held in his left hand by its wooden handle on his bare flesh.
The crackling of the burning flesh became audible, and the odor peculiar to chambers of torture filled the hovel.
[Illustration: Red Hot Chisel]
Marius reeled in utter horror, the very ruffians shuddered, hardly a muscle of the old man’s face contracted, and while the red-hot iron sank into the smoking wound, impassive and almost august, he fixed on Thénardier his beautiful glance, in which there was no hatred, and where suffering vanished in serene majesty.
With grand and lofty natures, the revolts of the flesh and the senses when subjected to physical suffering cause the soul to spring forth, and make it appear on the brow, just as rebellions among the soldiery force the captain to show himself.
“Wretches!” said he, “have no more fear of me than I have for you!”
And, tearing the chisel from the wound, he hurled it through the window, which had been left open; the horrible, glowing tool disappeared into the night, whirling as it flew, and fell far away on the snow.
The prisoner resumed:—
“Do what you please with me.” He was disarmed.
“Seize him!” said Thénardier.
Two of the ruffians laid their hands on his shoulder, and the masked man with the ventriloquist’s voice took up his station in front of him, ready to smash his skull at the slightest movement.
At the same time, Marius heard below him, at the base of the partition, but so near that he could not see who was speaking, this colloquy conducted in a low tone:—
“There is only one thing left to do.”
“Cut his throat.”
“That’s it.”
It was the husband and wife taking counsel together.
Thénardier walked slowly towards the table, opened the drawer, and took out the knife. Marius fretted with the handle of his pistol. Unprecedented perplexity! For the last hour he had had two voices in his conscience, the one enjoining him to respect his father’s testament, the other crying to him to rescue the prisoner. These two voices continued uninterruptedly that struggle which tormented him to agony. Up to that moment he had cherished a vague hope that he should find some means of reconciling these two duties, but nothing within the limits of possibility had presented itself.
However, the peril was urgent, the last bounds of delay had been reached; Thénardier was standing thoughtfully a few paces distant from the prisoner.
Marius cast a wild glance about him, the last mechanical resource of despair. All at once a shudder ran through him.
At his feet, on the table, a bright ray of light from the full moon illuminated and seemed to point out to him a sheet of paper. On this paper he read the following line written that very morning, in large letters, by the eldest of the Thénardier girls:—
“THE BOBBIES ARE HERE.”
An idea, a flash, crossed Marius’ mind; this was the expedient of which he was in search, the solution of that frightful problem which was torturing him, of sparing the assassin and saving the victim.
He knelt down on his commode, stretched out his arm, seized the sheet of paper, softly detached a bit of plaster from the wall, wrapped the paper round it, and tossed the whole through the crevice into the middle of the den.
It was high time. Thénardier had conquered his last fears or his last scruples, and was advancing on the prisoner.
“Something is falling!” cried the Thénardier woman.
“What is it?” asked her husband.
The woman darted forward and picked up the bit of plaster. She handed it to her husband.
“Where did this come from?” demanded Thénardier.
“Pardie!” ejaculated his wife, “where do you suppose it came from? Through the window, of course.”
“I saw it pass,” said Bigrenaille.
Thénardier rapidly unfolded the paper and held it close to the candle.
“It’s in Éponine’s handwriting. The devil!”
He made a sign to his wife, who hastily drew near, and showed her the line written on the sheet of paper, then he added in a subdued voice:—
“Quick! The ladder! Let’s leave the bacon in the mousetrap and decamp!”
“Without cutting that man’s throat?” asked, the Thénardier woman.
“We haven’t the time.”
“Through what?” resumed Bigrenaille.
“Through the window,” replied Thénardier. “Since Ponine has thrown the stone through the window, it indicates that the house is not watched on that side.”
The mask with the ventriloquist’s voice deposited his huge key on the floor, raised both arms in the air, and opened and clenched his fists, three times rapidly without uttering a word.
This was the signal like the signal for clearing the decks for action on board ship.
The ruffians who were holding the prisoner released him; in the twinkling of an eye the rope ladder was unrolled outside the window, and solidly fastened to the sill by the two iron hooks.
The prisoner paid no attention to what was going on around him. He seemed to be dreaming or praying.
As soon as the ladder was arranged, Thénardier cried:
“Come! the bourgeoise first!”
And he rushed headlong to the window.
But just as he was about to throw his leg over, Bigrenaille seized him roughly by the collar.
“Not much, come now, you old dog, after us!”
“After us!” yelled the ruffians.
“You are children,” said Thénardier, “we are losing time. The police are on our heels.”
“Well,” said the ruffians, “let’s draw lots to see who shall go down first.”
Thénardier exclaimed:—
“Are you mad! Are you crazy! What a pack of boobies! You want to waste time, do you? Draw lots, do you? By a wet finger, by a short straw! With written names! Thrown into a hat!—”
“Would you like my hat?” cried a voice on the threshold.
All wheeled round. It was Javert.
He had his hat in his hand, and was holding it out to them with a smile.
CHAPTER XXI—ONE SHOULD ALWAYS BEGIN BY ARRESTING THE VICTIMS
At nightfall, Javert had posted his men and had gone into ambush himself between the trees of the Rue de la Barrière-des-Gobelins which faced the Gorbeau house, on the other side of the boulevard. He had begun operations by opening “his pockets,” and dropping into it the two young girls who were charged with keeping a watch on the approaches to the den. But he had only “caged” Azelma. As for Éponine, she was not at her post, she had disappeared, and he had not been able to seize her. Then Javert had made a point and had bent his ear to waiting for the signal agreed upon. The comings and goings of the fiacres had greatly agitated him. At last, he had grown impatient, and, sure that there was a nest there, sure of being in “luck,” having recognized many of the ruffians who had entered, he had finally decided to go upstairs without waiting for the pistol-shot.
It will be remembered that he had Marius’ pass-key.
He had arrived just in the nick of time.
The terrified ruffians flung themselves on the arms which they had abandoned in all the corners at the moment of flight. In less than a second, these seven men, horrible to behold, had grouped themselves in an attitude of defence, one with his meat-axe, another with his key, another with his bludgeon, the rest with shears, pincers, and hammers. Thénardier had his knife in his fist. The Thénardier woman snatched up an enormous paving-stone which lay in the angle of the window and served her daughters as an ottoman.
[Illustration: Snatched up a Paving Stone]
Javert put on his hat again, and advanced a couple of paces into the room, with arms folded, his cane under one arm, his sword in its sheath.
“Halt there,” said he. “You shall not go out by the window, you shall go through the door. It’s less unhealthy. There are seven of you, there are fifteen of us. Don’t let’s fall to collaring each other like men of Auvergne.”
Bigrenaille drew out a pistol which he had kept concealed under his blouse, and put it in Thénardier’s hand, whispering in the latter’s ear:—
“It’s Javert. I don’t dare fire at that man. Do you dare?”
“Parbleu!” replied Thénardier.
“Well, then, fire.”
Thénardier took the pistol and aimed at Javert.
Javert, who was only three paces from him, stared intently at him and contented himself with saying:—
“Come now, don’t fire. You’ll miss fire.”
Thénardier pulled the trigger. The pistol missed fire.
“Didn’t I tell you so!” ejaculated Javert.
Bigrenaille flung his bludgeon at Javert’s feet.
“You’re the emperor of the fiends! I surrender.”
“And you?” Javert asked the rest of the ruffians.
They replied:—
“So do we.”
Javert began again calmly:—
“That’s right, that’s good, I said so, you are nice fellows.”
“I only ask one thing,” said Bigrenaille, “and that is, that I may not be denied tobacco while I am in confinement.”
“Granted,” said Javert.
And turning round and calling behind him:—
“Come in now!”
A squad of policemen, sword in hand, and agents armed with bludgeons and cudgels, rushed in at Javert’s summons. They pinioned the ruffians.
This throng of men, sparely lighted by the single candle, filled the den with shadows.
“Handcuff them all!” shouted Javert.
“Come on!” cried a voice which was not the voice of a man, but of which no one would ever have said: “It is a woman’s voice.”
The Thénardier woman had entrenched herself in one of the angles of the window, and it was she who had just given vent to this roar.
The policemen and agents recoiled.
She had thrown off her shawl, but retained her bonnet; her husband, who was crouching behind her, was almost hidden under the discarded shawl, and she was shielding him with her body, as she elevated the paving-stone above her head with the gesture of a giantess on the point of hurling a rock.
“Beware!” she shouted.
All crowded back towards the corridor. A broad open space was cleared in the middle of the garret.
The Thénardier woman cast a glance at the ruffians who had allowed themselves to be pinioned, and muttered in hoarse and guttural accents:—
“The cowards!”
Javert smiled, and advanced across the open space which the Thénardier was devouring with her eyes.
“Don’t come near me,” she cried, “or I’ll crush you.”
“What a grenadier!” ejaculated Javert; “you’ve got a beard like a man, mother, but I have claws like a woman.”
And he continued to advance.
The Thénardier, dishevelled and terrible, set her feet far apart, threw herself backwards, and hurled the paving-stone at Javert’s head. Javert ducked, the stone passed over him, struck the wall behind, knocked off a huge piece of plastering, and, rebounding from angle to angle across the hovel, now luckily almost empty, rested at Javert’s feet.
At the same moment, Javert reached the Thénardier couple. One of his big hands descended on the woman’s shoulder; the other on the husband’s head.
“The handcuffs!” he shouted.
The policemen trooped in in force, and in a few seconds Javert’s order had been executed.
The Thénardier female, overwhelmed, stared at her pinioned hands, and at those of her husband, who had dropped to the floor, and exclaimed, weeping:—
“My daughters!”
“They are in the jug,” said Javert.
In the meanwhile, the agents had caught sight of the drunken man asleep behind the door, and were shaking him:—
He awoke, stammering:—
“Is it all over, Jondrette?”
“Yes,” replied Javert.
The six pinioned ruffians were standing, and still preserved their spectral mien; all three besmeared with black, all three masked.
“Keep on your masks,” said Javert.
And passing them in review with a glance of a Frederick II. at a Potsdam parade, he said to the three “chimney-builders”:—
“Good day, Bigrenaille! good day, Brujon! good day, Deuxmilliards!”
Then turning to the three masked men, he said to the man with the meat-axe:—
“Good day, Gueulemer!”
And to the man with the cudgel:—
“Good day, Babet!”
And to the ventriloquist:—
“Your health, Claquesous.”
At that moment, he caught sight of the ruffians’ prisoner, who, ever since the entrance of the police, had not uttered a word, and had held his head down.
“Untie the gentleman!” said Javert, “and let no one go out!”
That said, he seated himself with sovereign dignity before the table, where the candle and the writing-materials still remained, drew a stamped paper from his pocket, and began to prepare his report.
When he had written the first lines, which are formulas that never vary, he raised his eyes:—
“Let the gentleman whom these gentlemen bound step forward.”
The policemen glanced round them.
“Well,” said Javert, “where is he?”
The prisoner of the ruffians, M. Leblanc, M. Urbain Fabre, the father of Ursule or the Lark, had disappeared.
The door was guarded, but the window was not. As soon as he had found himself released from his bonds, and while Javert was drawing up his report, he had taken advantage of confusion, the crowd, the darkness, and of a moment when the general attention was diverted from him, to dash out of the window.
An agent sprang to the opening and looked out. He saw no one outside.
The rope ladder was still shaking.
“The devil!” ejaculated Javert between his teeth, “he must have been the most valuable of the lot.”
CHAPTER XXII—THE LITTLE ONE WHO WAS CRYING IN ## VOLUME TWO
On the day following that on which these events took place in the house on the Boulevard de l’Hôpital, a child, who seemed to be coming from the direction of the bridge of Austerlitz, was ascending the side-alley on the right in the direction of the Barrière de Fontainebleau.
Night had fully come.
This lad was pale, thin, clad in rags, with linen trousers in the month of February, and was singing at the top of his voice.
At the corner of the Rue du Petit-Banquier, a bent old woman was rummaging in a heap of refuse by the light of a street lantern; the child jostled her as he passed, then recoiled, exclaiming:—
“Hello! And I took it for an enormous, enormous dog!”
He pronounced the word enormous the second time with a jeering swell of the voice which might be tolerably well represented by capitals: “an enormous, ENORMOUS dog.”
The old woman straightened herself up in a fury.
“Nasty brat!” she grumbled. “If I hadn’t been bending over, I know well where I would have planted my foot on you.”
The boy was already far away.
“Kisss! kisss!” he cried. “After that, I don’t think I was mistaken!”
The old woman, choking with indignation, now rose completely upright, and the red gleam of the lantern fully lighted up her livid face, all hollowed into angles and wrinkles, with crow’s-feet meeting the corners of her mouth.
Her body was lost in the darkness, and only her head was visible. One would have pronounced her a mask of Decrepitude carved out by a light from the night.
The boy surveyed her.
“Madame,” said he, “does not possess that style of beauty which pleases me.”
He then pursued his road, and resumed his song:—
“Le roi Coupdesabot S’en allait à la chasse, À la chasse aux corbeaux—”
At the end of these three lines he paused. He had arrived in front of No. 50-52, and finding the door fastened, he began to assault it with resounding and heroic kicks, which betrayed rather the man’s shoes that he was wearing than the child’s feet which he owned.
In the meanwhile, the very old woman whom he had encountered at the corner of the Rue du Petit-Banquier hastened up behind him, uttering clamorous cries and indulging in lavish and exaggerated gestures.
“What’s this? What’s this? Lord God! He’s battering the door down! He’s knocking the house down.”
The kicks continued.
The old woman strained her lungs.
“Is that the way buildings are treated nowadays?”
All at once she paused.
She had recognized the gamin.
“What! so it’s that imp!”
“Why, it’s the old lady,” said the lad. “Good day, Bougonmuche. I have come to see my ancestors.”
The old woman retorted with a composite grimace, and a wonderful improvisation of hatred taking advantage of feebleness and ugliness, which was, unfortunately, wasted in the dark:—
“There’s no one here.”
“Bah!” retorted the boy, “where’s my father?”
“At La Force.”
“Come, now! And my mother?”
“At Saint-Lazare.”
“Well! And my sisters?”
“At the Madelonettes.”
The lad scratched his head behind his ear, stared at Ma’am Bougon, and said:—
“Ah!”
Then he executed a pirouette on his heel; a moment later, the old woman, who had remained on the door-step, heard him singing in his clear, young voice, as he plunged under the black elm-trees, in the wintry wind:—
“Le roi Coupdesabot S’en allait à la chasse, À la chasse aux corbeaux, Monté sur deux échasses. Quand on passait dessous, On lui payait deux sous.”31
[THE END OF ## VOLUME III “MARIUS”]
VOLUME IV
SAINT-DENIS
[Illustration: Frontispiece Volume Four]
[Illustration: Titlepage Volume Four]
THE IDYL IN THE RUE PLUMET AND THE EPIC IN THE RUE SAINT-DENIS
BOOK FIRST—A FEW PAGES OF HISTORY
CHAPTER I—WELL CUT
1831 and 1832, the two years which are immediately connected with the Revolution of July, form one of the most peculiar and striking moments of history. These two years rise like two mountains midway between those which precede and those which follow them. They have a revolutionary grandeur. Precipices are to be distinguished there. The social masses, the very assizes of civilization, the solid group of superposed and adhering interests, the century-old profiles of the ancient French formation, appear and disappear in them every instant, athwart the storm clouds of systems, of passions, and of theories. These appearances and disappearances have been designated as movement and resistance. At intervals, truth, that daylight of the human soul, can be descried shining there.
This remarkable epoch is decidedly circumscribed and is beginning to be sufficiently distant from us to allow of our grasping the principal lines even at the present day.
We shall make the attempt.
The Restoration had been one of those intermediate phases, hard to define, in which there is fatigue, buzzing, murmurs, sleep, tumult, and which are nothing else than the arrival of a great nation at a halting-place.
These epochs are peculiar and mislead the politicians who desire to convert them to profit. In the beginning, the nation asks nothing but repose; it thirsts for but one thing, peace; it has but one ambition, to be small. Which is the translation of remaining tranquil. Of great events, great hazards, great adventures, great men, thank God, we have seen enough, we have them heaped higher than our heads. We would exchange Cæsar for Prusias, and Napoleon for the King of Yvetot. “What a good little king was he!” We have marched since daybreak, we have reached the evening of a long and toilsome day; we have made our first change with Mirabeau, the second with Robespierre, the third with Bonaparte; we are worn out. Each one demands a bed.
Devotion which is weary, heroism which has grown old, ambitions which are sated, fortunes which are made, seek, demand, implore, solicit, what? A shelter. They have it. They take possession of peace, of tranquillity, of leisure; behold, they are content. But, at the same time certain facts arise, compel recognition, and knock at the door in their turn. These facts are the products of revolutions and wars, they are, they exist, they have the right to install themselves in society, and they do install themselves therein; and most of the time, facts are the stewards of the household and fouriers32 who do nothing but prepare lodgings for principles.
This, then, is what appears to philosophical politicians:—
At the same time that weary men demand repose, accomplished facts demand guarantees. Guarantees are the same to facts that repose is to men.
This is what England demanded of the Stuarts after the Protector; this is what France demanded of the Bourbons after the Empire.
These guarantees are a necessity of the times. They must be accorded. Princes “grant” them, but in reality, it is the force of things which gives them. A profound truth, and one useful to know, which the Stuarts did not suspect in 1662 and which the Bourbons did not even obtain a glimpse of in 1814.